brings into question politicising and romanticising human migration based on
differentiating it from
any other movements in nature. Historically, the wood
drifting to the shores of Iceland has been a precious
material in the mostly
woodless island, hence returning driftwood to the sea is a quiet yet rebellious
the economic and political perspective on migrations.
Comissioned piece for the
í Bláin multidisciplinary art project, Reykjavik, 2020.
Collaboration with Ewa Marcinek.
Music by Julius Pollux.